"Variations on the Word Sleep" By Margaret Atwood

Variations on the Word Sleep By Margaret Atwood In Variations on the Word Sleep the fabricator of the poetry immediately addresses his/her scruples need to connect with the some other person, and they withal lie with the hopelessness of this goal: I would very(prenominal)(p) to trance you pauseing, which may not happen(1-2). The opening to the poem, as we see here, could be considered exemplary of Atwoods writing in the soul that unity person longs to hold fast with another, and recognizes the difficulty. It is this type of vulnerability that we urinate come to expect in Margaret Atwoods writings, because, as with many feminist writings, we are aware of the indicant struggle between workforce and women, and even between women. barely this poem refrains from identifying sexes; it lonesome(prenominal) discusses a deeply internal need of one person for another, who is on a journey through the somber maze of their consciousness. The send-off stanza evolves from a s imple plea from the genderless verbaliser to watch their caramel sleep, to a deeper, spiritual need. Atwood chooses to remain perplexing in this respect, which helps a wider audience identify with the work.

The poem also has merit because deep down seven short, simplistic lines we move from a gentle yearning to a love heterogeneous and intense, with two minds merging unitedly in a romance: I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark rove slides over my head.(3-7) The action of the poem continues to evolve as Atwood carries the lector through wha t appears to be a lovers dream or fantasy. T! he storyteller at first wishes only to watch their lover sleep, consequently he/she desires to enter the same sleep, then envision him/her move through the layers of consciousness. As the reader... If you neediness to get a full essay, monastic order it on our website: BestEssayCheap.com

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